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“All right. I’m off!”,

CHAPTER XIV IN THE HAUNTED HOUSE,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.,

“Yes, when you and sister turn gray getting it out of me. No, I’m going to do real work that will earn money; and I’m going to take this never-get-enough grub-basket of mine to a table where my own hands have earned the grub.”

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CHAPTER I THE LITTLE EARTHQUAKE GIRL,

He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform.,

“She’ll be all right. May Nell and me—I—we took our lunch and went over to Potter’s pasture. Shoot! She’s waiting now! I hope the poor little kiddie—little girl—eats, don’t wait for me,—she an’ Bouncer.”,

The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.